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Jose A. Almagro-Pastor, Rafael García-Quesada, Jerónimo Vida-Manzano, Francisco J. Martínez-Irureta and Ángel F. Ramos-Ridao
This paper analyses the acoustic behaviour of the Palace of Charles V from a room acoustics perspective but also ponders the uniqueness of the space and its ability to engage and enhance the audience experience. The Palace of Charles V is a relevant part...
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Barteld N. J. Postma, Evan Green, Eckhard Kahle and Brian F. G. Katz
Prior to Sabine?s work on the Fogg Art Museum and Boston Symphony Hall, several numerical guidelines had been developed and applied to the design of rooms with specific acoustic demands such as theatres, concert halls, and opera houses. Previous papers h...
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Beata Majerska-Palubicka and Elzbieta Latusek
The article concerns the issue of intelligence-based design, which, during the design process undertaken by architects, signifies (according to the authors of the article) thinking about perceptual involvement in the built environment, designing together...
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Louena Shtrepi, Sonja Di Blasio and Arianna Astolfi
Diffusive surfaces are considered as one of the most challenging aspects to deal with in the acoustic design of concert halls. However, the acoustic effects that these surface locations have on the objective acoustic parameters and on sound perception ha...
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Nikolay Kanev
Resonant vessels in ancient and medieval buildings are the subject of some historical and acoustic research today. There have been a number of detailed surveys of European churches, where acoustic pots remain in the buildings. Despite the fact that in me...
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Mike Barron
After the war, there was a general understanding of reverberation time (RT), including how to measure it and its significance, as well as its link to a state of diffusion. Reverberation refers to a property of late sound; there was an appreciation that e...
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Jerald R. Hyde
Current discussions on the objective attributes contributing to concert hall quality started formally in 1962 with the publication of Leo Beranek?s book ?Music, Acoustics, and Architecture?. From his consulting work in the late 1950s, Beranek determined ...
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Robert Harris
Following the significant number of new shoebox-type halls that opened in the last decades of the 20th century, the first decades of the 21st century have seen large concert hall design and construction dominated by halls in a surround format. This typol...
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Magne Skålevik
Acoustic conditions in a symphony orchestra on a concert hall stage are very different from those on an empty stage. Since inter-orchestral sound transmission and other acoustic conditions with the orchestra present is easier to simulate than to measure,...
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Evan Green and Eckhard Kahle
In musical perception, a proportion of the reflected sound energy arriving at the ear is not consciously perceived. Investigations by Wettschurek in the 1970s showed the detectability to be dependent on the overall loudness and direction of arrival of re...
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