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Dario D?Orazio
Attending an opera involves a multi-sensory evaluation (acoustical, visual, and more), cultural background and other emotional parameters. The present work aims to investigate the historical development of Italian-style opera houses, from the 16th centur...
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Dario D?Orazio and Sofia Nannini
The foundation of architectural acoustics as an independent science is generally referred to Sabine?s early studies and their application. Nevertheless, since the 16th Century, a great number of authors wrote essays and treatises on the design of acousti...
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This paper presents a preliminary finite element model in Strand7 software to analyse creep and shrinkage effects on the prestressed concrete ribs of the Sydney Opera House as remarkable heritage. A linear static analysis was performed to investigate the...
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Dario D?Orazio, Anna Rovigatti and Massimo Garai
In a Historical Opera House (HOH), the proscenium is the foreground part of the stage. Until the end of the 19th Century, it was extended through the cavea, being the orchestra placed at the same level of the stalls, without an orchestra pit. Soloists of...
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