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Barteld N. J. Postma, Evan Green, Eckhard Kahle and Brian F. G. Katz
Prior to Sabine?s work on the Fogg Art Museum and Boston Symphony Hall, several numerical guidelines had been developed and applied to the design of rooms with specific acoustic demands such as theatres, concert halls, and opera houses. Previous papers h...
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Evan Green and Eckhard Kahle
In musical perception, a proportion of the reflected sound energy arriving at the ear is not consciously perceived. Investigations by Wettschurek in the 1970s showed the detectability to be dependent on the overall loudness and direction of arrival of re...
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U. Shymanovich, M. Nicoul, W. Lu, S. Kähle, A. Tarasevitch, K. Sokolowski-Tinten, and D. von der Linde
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Kahle, A. Winkler, B. Hennion, B. Boutrouille, P.
Pág. 3717 - 3721
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Kahle, M. Kleber, M. Torn, M. S. Jahn, R.
Pág. 1732 - 1739
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Gasmi, S. Love, C. E. Kahle, W.
Pág. 26 - 32
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Kahle, M. Kleber, M. Jahn, R.
Pág. 639 - 644
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Gu, D. Gillespie, A. R. Kahle, A. B. Palluconi, F. D.
Pág. 2557 - 2570
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