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Giovanni Amadasi, Antonella Bevilacqua, Gino Iannace and Amelia Trematerra
Thousands of theatres were built during the Hellenistic period in Greece and overseas colonies. The main elements of the Hellenistic theatre are the following: the orchestra, where music and songs were performed to accompany the acting performance, and t...
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Silvana Sukaj, Giuseppe Ciaburro, Gino Iannace, Ilaria Lombardi and Amelia Trematerra
During the Imperial Roman period, thousands of theatres were built. The theatres have three principal elements: the scene building (actor position), the orchestra and the cavea (spectator seating). The theatres were built without a roof, so they were ope...
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Alexander M. Rehm
It is shown that a gold-plated device mounted on a tenor saxophone, forming a small bridge between the mouthpiece and the S-bow, can change two characteristics of the radiated sound: (1) the radiated acoustic energy of the harmonics with emission maxima ...
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Antonella Bevilacqua and Lamberto Tronchin
The acoustical characteristics of a room where the artistic performance is presented to the audience have a critical impact on the experience of both artists and spectators. It is important to know how the original aspects and the refurbishment works thr...
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Magne Skålevik
Acoustic conditions in a symphony orchestra on a concert hall stage are very different from those on an empty stage. Since inter-orchestral sound transmission and other acoustic conditions with the orchestra present is easier to simulate than to measure,...
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Dario D?Orazio, Anna Rovigatti and Massimo Garai
In a Historical Opera House (HOH), the proscenium is the foreground part of the stage. Until the end of the 19th Century, it was extended through the cavea, being the orchestra placed at the same level of the stalls, without an orchestra pit. Soloists of...
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Kay-Alana Turner, Craig S. Escamilla, Enrique Henry R. Venta
The Symphony of Southeast Texas (Beaumont, TX) is the only professional symphony orchestra between Houston, TX, and Lake Charles, LA. From 2010- 2014, the organization focused on resolving internal management and financial challenges. Additionally, the o...
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Ugur Zel, Meltem Onay
Pág. 130 - 150
Conductors are evolving from ?super-maestro? to full participation in the activities of the orchestral organization, including visioning, strategic direction, audience development and fundraising. To be effective, the musical leader of the orchestra must...
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