|
|
|
|
|
Mark Reybrouck
The metaphor of being touched by music is widespread and almost universal. The tactile experience, moreover, has received growing interest in recent years. There is, however, a need to go beyond a mere metaphorical use of the term, by positioning the tac...
ver más
|
|
|
|
|
|
|
|
|
|
|
Hyung-Sik Kim, Ji-Hun Jo, Je-Hyeop Lee, Jin-Ju Jung, Ki-Han Kim, Jin-Su An, Ye-Jin Kim, Mi-Hyun Choi and Soon-Cheol Chung
In this study, we measured neuronal activation in the primary somatosensory area (S1) and Brodmann area 3 (BA3) using 3T functional magnetic resonance imaging (fMRI) while presenting a 250-Hz high-frequency vibrational stimulus to each of three phalanges...
ver más
|
|
|
|
|
|
|
|
|
|
|
Taylor Mason, Jeong-Hoi Koo, Young-Min Kim and Tae-Heon Yang
Vibrotactile feedback is a key feature of many modern touch displays, which greatly enhances user experiences when interacting with an onscreen interface. Despite its popularity in small touch screen devices, this haptic feature is absent in most large d...
ver más
|
|
|
|
|
|
|
|
|
|
|
Young-Bok Joo, Eun-Jae Shin, Yong Hae Heo, Won-Hyeong Park, Tae-Heon Yang and Sang-Youn Kim
This paper is an extended version of our paper published in Proceedings of the International AsiaHaptics Conference 2016, Kashiwanoha, Japan, 29 November?1 December 2016; pp. 181?184. In this paper, we presented a detailed design of the electrostatic bea...
ver más
|
|
|
|
|
|
|
|
|
|
|
Matthias Flückiger, Tobias Grosshauser and Gerhard Tröster
In this study, the influence of piano key vibration levels on players’ personal judgment of the instrument quality and on the dynamics and timing of the players’ performance of a music piece excerpt is examined. In an experiment four vibratio...
ver más
|
|
|
|
|
|