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ARTÍCULO
TITULO

To color or not to color: That is the question! Introducción a la restauración cinematográfica del color

Daniela Stara    

Resumen

Partiendo de que la producción del cine mudo era en buena parte en color, y analizando los tipos de coloraciones existentes a la época, el texto quiere informar sobre los actuales métodos (analógicos y digitales) de restauración de esos antiguos colores.

PÁGINAS
pp. 285 - 298

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